NEW BOLLYWOOD MOVIE REVIEW MAUSAM IKRAR KE DO PAL PYAR KE - 2018

Story: A romantic tale transforms into a miserable undertaking when the young lady's folks discover they have a long-standing animosity with the kid's dad. 

The film's lead performing artist, Mukesh Bharti, has an aggregate of three articulations in the whole of the film. The first is the point at which he grins, the second one is the point at which he's inclination pitiful, and the third is the place he meets with a mishap and scowls. Other than that, there isn't much he can do. The on-screen character, Madalsa Sharma, is marginally superior to him, which doesn't state much for her specialty either. The story is hackneyed and in a few sections does not bode well. How would you clarify a circumstance, where a dad consents to wed his solitary girl to a person whose guardians he doesn't think about? Be that as it may, crap hits the fan when he discovers their identity and has a noteworthy fit, mid-commitment. The couple at that point chooses to steal away, which the uninteresting second half is comprised of. 

With a story ideal out of an awful 90s film and Bappi Lahiri taking care of business in the music division, 'Mausam Ikrar Ke… ' has next to no to offer. Think about those motion pictures which are great since they are so awful? All things considered, this is it. On the off chance that you are a fanatic of films as shah Kanti's 'Gunda', this one is straight up your back street.